Nine programs across broadcast, film, experiential, AR, e-commerce, and marketing ops — most with an immovable date and all with a lot of moving parts. These pages cover what the constraints were and what actually shipped.
A repeatable five-part content engine for social, built to run without a marketing specialist on every account — now the standard across a full client roster.
Three branded Spark AR filters and a selfie wall, cleared through client sign-off and Facebook's black-box platform review in 48 hours — live for a 20,000-attendee conference.
A first-ever national broadcast launch for a family mandarin brand — produced into a single shoot day at one Los Angeles supermarket, and it moved the balance sheet.
Four films for the Akamai Edge World Main Stage — concepted, cast, and shot on a built set with a company of child actors, plus a wrap video cut onsite overnight.
Brand and UX strategy, lookbook production, and a 1,026-SKU catalog built and made shoppable for a live storefront launch.
Two World Series spots delivered from concept to national air in five business days with a compressed timeline, rapid approvals, and zero schedule drift.
Five films, four cities, and a global launch date delivered through tight coordination across agencies, production, and international stakeholders.
An interactive smart-city activation at Splunk .conf19 that turned sustainability data into badge-tracked pledges and a reusable experience.
The first digital build of Splunk's community mascot — a green-screen ride experience at .conf18, designed, animated, and approved through four gates against an immovable load-in.